Analytic Dynamic Mechanic Bending And Torsion Forces - 550 Words

Analytic Dynamic Mechanic: Bending And Torsion Forces (Term Paper Sample) Content: Analytic Dynamic mechanic.Question 1. Bending and Torsion forces.When a moment of force is applied to an object that is fixed at both sides, for example a metallic beam, it makes the object to experience bending. The moment which results in bending of objects are called the bending moment. Bending can lead to forces of compression and tensile inside the metallic beam and this makes the beam to start stretching.Torsion forces are experienced when forces acts on the longitudinal axis of an object which eventually results in twisting of the object. The body spine for example experiences torsion force when someone twists his/her body from side to side. For instance when a person bends in a lateral direction to pick an object, in either one hand, there is bit of torsion that will be experienced on the spine. Also, when someone carries a heavy object on one his or her hand, there will be torsion force on the spinal cord. The forces of stress that result during torsion are n ormally complex and difficult to capture their strength and quantity. The photograph below illustrates an object experiencing a torsion force.Question 2. Traverse shear and combine loading.A vessel thats specifically designed to withstand liquids and gases under a large pressure described as the pressure vessel. It can withstand...

To What Extent Was The Economy Responsible For Rome s...

Rome was an ancient civilization so mighty its influence is still felt today. Rome was able to conquer much of the land around the Mediterranean. They were a people with advancements not seen during the time, introducing forms of science and war that are still seen today (Andrews)1. This society lasted for over 1,000 years, leaving its mark on the world for years to come. How could it be that this mighty civilization came to fall? The decline of a Rome is an often-debated topic due to the many factors, which were responsible for its downfall. Factors such as its corrupt political system, failing economy, over-extending borders, and general health problems prominent in its society all played a role in Rome’s decline (Andrews)2. The largest factor in the equation, the failing economy, played into the rest of the previously mentioned factors. This leads to my question, to what extent was the economy responsible for Rome’s decline? What is Rome? Roman mythology states that twin brothers, Romulus and Remus, who were said to have been raised by wolves, founded Rome (History Learning Site)3. This civilization was located along the Mediterranean Sea, in current day Italy. Throughout its history, Rome underwent many forms of government, including a republic, aristocracy, direct democracy, and monarchy. Machiavelli described the Roman society as a mix of aristocratic and democratic governments (Machiavelli on The Founders Constitution; vol 1, chapter 11)4. Since this essayShow MoreRelatedChristianity And The Fall Of The Western Roman Empire1349 Words   |  6 PagesIn my Theatre of History class, we briefly discussed Rome and the fall of the Western Roman Empire as it related to theatre but I was intrigued to learn more. It didn’t seem sensible that the fall of the Western Empire would be placed, even a little, on the rise of Christianity during that time. It didn’t seem sensible for two reasons. 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To exploit the potential gains from a reallocation of labor—specifically, to provide the appropriate incentivesRead MoreBusiness Environment of Pre-Britis h India13645 Words   |  55 PagesBUSINESS ENVIRONMENT OF PRE-BRITISH INDIA PROJECT BY: BHAVANA BHATIA-7 REUBEN DANTES-9 CRYSTAL D’SOUZA-11 ALISHA PEREIRA-38 TANUSHREE SHARMA-47 GAURAV TALERA-52 Executive Summary It is the past which shapes what we become in the present. Most of what we do and follow today has been decided in the past which is why we have to understand who we were to become who we have to be. India is one of the few civilizations which has been in existence for more than 5000 years. India is a homogenous culture

The Future Of Us China Relations Essay - 1654 Words

â€Å"China Rising† is a non-arguable fact and the one of the most important subject in the twenty-first century. The rise of China is a relative threat to the neighbor regions or other great powers. Further, some scholars also comment that China either will replace or has already superseded the United State as the world’s only superpower. China’s growth is too rapid and massive that other nations have limited or no opportunity to compete with it. By using international relations theories to analyze US-China relations, there are three main stream theories commonly using to explain this case: Realism, Liberalism, and Constructivism. In addition, in the article â€Å"The Future of US-China Relations† composed by Aaron L. Friedberg, professor of politics and international affairs, he comments that people predict US-China relations with two different views – optimistic or pessimistic. However, which international relation theory applies this political p henomenon the best is still debatable. This paper will argue that the conflicts between the two nations are normal while China is growing, because the conflicts are derived from different perspectives. Pessimistic realism and optimistic liberalism are two main points that will be addressing when approach to this critical issue. Finally, the main argument in this paper is to show why pessimistic realism will eventually prove to be accurate and true to explain the future of US-China relationships. When encounter the issue of US-ChinaShow MoreRelatedQuestion: Compare And Contrast The Realist And Liberal1120 Words   |  5 PagesQuestion: Compare and contrast the realist and liberal approaches to International Relations. How might these approaches be used to understand the current state of US-China Relations? The Relationship between US and China brings many approaches to the current state between them. 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Heart Of Darkness (1372 words) Essay Example For Students

Heart Of Darkness (1372 words) Essay Heart of DarknessHeart of DarknessIn Heart of Darkness it is the white invadersfor instance, who are, almost without exception, embodiments of blindness,selfishness, and cruelty; and even in the cognitive domain, where suchpositive phrases as to enlighten, for instance, are conventionally opposedto negative ones such as to be in the dark, the traditional expectationsare reversed. In Kurtzs painting, as we have seen, the effect of thetorch light on the face was sinister (Watt 332). Ian Watt, author of Impressionism andSymbolism in Heart of Darkness, discusses about the destruction set uponthe Congo by Europeans. The destruction set upon the Congo by Europeansled to the cry of Kurtzs last words, The horror! The horror! The horrorin Heart of Darkness has been critiqued to represent different aspectsof situations in the book. However, Kurtzs last words The horror! Thehorror! refer, to me, to magnify only three major aspects. The horrormagnifies Kurtz not being able to restrain himself, the colonizers greed,and Europes darkness. Kurtz comes to the Congo with noble intentions. He thought that each ivory station should stand like a beacon light, offeringa better way of life to the natives. He was considered to be a universalgenius: he was an orator, writer, poet, musician, artist, politician,ivory producer, and chief agent of the ivory companys Inner Station. yet,he was also a hollow man, a man without basic integrity or any senseof social responsibility. Kurtz issues the feeble cry, The horror! Thehorror! and the man of vision, of poetry, the emissary of pity, and science,and progress is gone. The jungle closes round (Labrasca 290). Kurtzbeing cut off from civilization reveals his dark side. Once he enteredwithin his heart of darkness he was shielded from the light. Kurtz turnedinto a thief, murderer, raider, persecutor, and to climax all of his othershady practices, he allows himself to be worshipped as a god. E. N. Dorall,author of Conrad and Coppola: Different Centres of Darkness, explainsKurtzs loss of his identity. Daring to face the consequences of hisnature, he loses his identity; unable to be totally beast and never ableto be fully human, he alternates between trying to return to the jungleand recalling in grotesque terms his former idealism. Kurtz discovered,A voice! A voice! It rang deep to the very last. It survived his strengthto hide in the magnificent folds of eloquence the barren darkness of hisheart. But both the diabolic love and the unearthly hate of the mysteriesit had penetrated fought for the possession of that soul satiated withprimitive emotions, avid of lying, fame, of sham distinction, of all theappearances of success and power. Inevitably Kurtz collapses, his lastwords epitomizing his experience, The horror! The horror! (Dorall 306). The horror to Kurtz is about self realization;about the mistakes he committed while in Africa. The colonizers cruelty towards the nativesand their lust for ivory also is spotlighted in Kurtzs horror. The whitemen who came to the Congo professing to bring progress and light to darkestAfrica have themselves been deprived of the sanctions of their Europeansocial orders. The supposed purpose of the colonizers traveling into Africawas to civilize the natives. Instead the Europeans took the natives landaway from them by force. They burned their towns, stole their property,and enslaved them. Enveloping the horror of Kurtz is the Congo Free Stateof Leopold II, totally corrupt though to all appearances established tolast for a long time (Dorall 309). The conditions described in Heart ofDarkness reflect the horror of Kurtzs words: the chain gangs, the groveof death, the payment in brass rods, the cannibalism and the human skullson the fence posts. .u930e0b18d2ce75ae783ff11b2beb8e0d , .u930e0b18d2ce75ae783ff11b2beb8e0d .postImageUrl , .u930e0b18d2ce75ae783ff11b2beb8e0d .centered-text-area { min-height: 80px; position: relative; } .u930e0b18d2ce75ae783ff11b2beb8e0d , .u930e0b18d2ce75ae783ff11b2beb8e0d:hover , .u930e0b18d2ce75ae783ff11b2beb8e0d:visited , .u930e0b18d2ce75ae783ff11b2beb8e0d:active { border:0!important; } .u930e0b18d2ce75ae783ff11b2beb8e0d .clearfix:after { content: ""; display: table; clear: both; } .u930e0b18d2ce75ae783ff11b2beb8e0d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u930e0b18d2ce75ae783ff11b2beb8e0d:active , .u930e0b18d2ce75ae783ff11b2beb8e0d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u930e0b18d2ce75ae783ff11b2beb8e0d .centered-text-area { width: 100%; position: relative ; } .u930e0b18d2ce75ae783ff11b2beb8e0d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u930e0b18d2ce75ae783ff11b2beb8e0d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u930e0b18d2ce75ae783ff11b2beb8e0d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u930e0b18d2ce75ae783ff11b2beb8e0d:hover .ctaButton { background-color: #34495E!important; } .u930e0b18d2ce75ae783ff11b2beb8e0d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u930e0b18d2ce75ae783ff11b2beb8e0d .u930e0b18d2ce75ae783ff11b2beb8e0d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u930e0b18d2ce75ae783ff11b2beb8e0d:after { content: ""; display: block; clear: both; } READ: Media Violence EssayAfricans bound with thongs that contractedin the rain and cut to the bone, had their swollen hands beaten with riflebutts until they fell off. Chained slaves were forced to drink the whitemans defecation, hands and feet were chopped off for their rings, menwere lined up behind each other and shot with one cartridge, wounded prisonerswere eaten by maggots till they died and were then thrown to starving dogsor devoured by cannibal tribes (Meyers 100). The colonizers enslaved the natives todo their biding; the cruelty practiced on the black workers were of thewhite mans mad and greedy rush for ivory. The unredeemable horror inthe tale is the duplicity, cruelty, and venality of Europeans officialdom(Levenson 401). Civilization is only preserved by maintainingillusions. Juliet Mclauchlan, author of The Value and Significance ofHeart of Darkness, stated that every colonizer in Africa is to blame forthe horror which took place within. Kurtzs moral judgment applies supremelyto his own soul, but his final insight is all encompassing; looking uponhumanity in full awareness of his own degradation, he projects his debasement,failure, and hatred universally. Realizing that any human soul may be fascinated,held irresistible, by what it rightly hates, his stare is wide enoughto embrace the whole universe, wide and immense. embracing, condemning,loathing all the universe (Mclauchlan 384). The darkness of Africa collides with theevils of Europe upon Kurtzs last words. Kurtz realized that all he hadbeen taught to believe in, to operate from, was a mass of horror and greedstandardized by the colonizers. As you recall in Conrads Heart of Darkness,Kurtz painted a painting releasing his knowledge of the horror and whatis to come. A painting of a blindfolded woman carrying a lighted torchwas discussed in the book. The background was dark, and the effect of thetorch light on her face was sinister. The oil painting suggests the blindand stupid ivory company, fraudulently letting people believe that besidesthe ivory they were taking out of the jungle, they were, at the same time,bringing light and progress to the jungle. Kurtz, stripped away of his culture bythe greed of other Europeans, stands both literally and figuratively naked. He has lost all restraint in himself and has lived off the land like ananimal. He has been exposed to desire, yet cannot comprehend it. His horrortells us his mistakes and that of Europes. His mistakes of greed for ivory,his mistakes of lust for a mistress and his mistakes of assault on othervillages, were all established when he was cut off from civilization. WhenConrad wrote what Kurtzs last words were to be, he did not exaggerateor invent the horrors that provided the political and humanitarian basisfor his attack on colonialism. Conrads Kurtz mouths his last words, Thehorror! The horror! as a message to himself and, through Marlow, to theworld. However, he did not really explain the meaning of his words to Marlowbefore his exit. Through Marlows summary and moral reactions, we cometo realize the possibilities of the meaning rather than a definite meaning. The message means more to Marlow and the readers than it does to Kurtz,says William M. Hagen, in Heart of Darkness and the Process of ApocalypseNow. The horror to Kurtz became the nightmare between Europe and Africa. To Marlow, Kurtzs last words came through what he saw and experiencedalong the way into the Inner Station. To me, Kurtzs horror shadows everyhuman, who has some form of darkness deep within their heart, waiting tobe unleashed. The horror that has been perpetrated, the horror that descendsas judgment, either in this pitiless and empty death or in whatever dominationthere could be to come (Stewart 366). Once the horror was unleashed, therewas no way of again restraining it. .u4d7ada5afc4a5a8a73750352e4965aca , .u4d7ada5afc4a5a8a73750352e4965aca .postImageUrl , .u4d7ada5afc4a5a8a73750352e4965aca .centered-text-area { min-height: 80px; position: relative; } .u4d7ada5afc4a5a8a73750352e4965aca , .u4d7ada5afc4a5a8a73750352e4965aca:hover , .u4d7ada5afc4a5a8a73750352e4965aca:visited , .u4d7ada5afc4a5a8a73750352e4965aca:active { border:0!important; } .u4d7ada5afc4a5a8a73750352e4965aca .clearfix:after { content: ""; display: table; clear: both; } .u4d7ada5afc4a5a8a73750352e4965aca { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4d7ada5afc4a5a8a73750352e4965aca:active , .u4d7ada5afc4a5a8a73750352e4965aca:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4d7ada5afc4a5a8a73750352e4965aca .centered-text-area { width: 100%; position: relative ; } .u4d7ada5afc4a5a8a73750352e4965aca .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4d7ada5afc4a5a8a73750352e4965aca .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4d7ada5afc4a5a8a73750352e4965aca .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4d7ada5afc4a5a8a73750352e4965aca:hover .ctaButton { background-color: #34495E!important; } .u4d7ada5afc4a5a8a73750352e4965aca .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4d7ada5afc4a5a8a73750352e4965aca .u4d7ada5afc4a5a8a73750352e4965aca-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4d7ada5afc4a5a8a73750352e4965aca:after { content: ""; display: block; clear: both; } READ: Edmunds Corrugated Parts Services EssayBibliographyDorall, E. N. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. RobertKimbrough. New York: Norton Critical 1988. 306, 309. LaBrasca, Robert. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 290. Levenson, Michael. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 401. McLauchlan, Juliet. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 384. Meyers, Jeffrey. Joseph Conrad. New York:Charles Scribners Sons, 1991. Stewart, Garrett. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 266. Watt, Ian. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. RobertKimbrough. New York: Norton Critical 1988. 332.